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DTSTART;TZID=America/Halifax:20220929T170000
DTEND;TZID=America/Halifax:20220929T190000
DTSTAMP:20261108T121332
CREATED:20220726T170510Z
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SUMMARY:Offline Repression is Replicated Online: Content Moderation and Government Repression
DESCRIPTION:Jillian C. York will discuss her book\, Silicon Values: The Future of Free Speech Under Surveillance Capitalism (published with Verso Books in 2021). \n\n\n\nWho decides what is permissible on the internet: Politicians? Mark Zuckerberg? Users? Who determines when political debate becomes hate speech? How does this impact our identity or our ability to create communities and to protest? Silicon Values reports on the war for digital rights and how major corporations—Facebook\, Twitter\, Google and Tiktok—threaten democracy as they harvest our personal data in the pursuit of profit. \n\n\n\nYork will discuss the current tensions related to content moderation and free expression online. \n\n\n\n\n\n\n\n\nRegister for the Zoom Event\n\n\n\n\n\n\n\n\n\n\nCourtesy of VampKitty/Nadine Barišić.\n\n\n\n\n\nAbout Jillian C. York\n\n\n\nJillian C. York is a writer and activist whose work examines the impact of technology on our societal and cultural values. Based in Berlin\, she is the Director for International Freedom of Expression at the Electronic Frontier Foundation\, a fellow at the Center for Internet & Human Rights at the European University Viadrina\, a visiting professor at the College of Europe Natolin\, and the author of Silicon Values: The Future of Free Speech Under Surveillance Capitalism.
URL:https://firstamendmentmuseum.org/event/offline-repression-is-replicated-online-content-moderation-and-government-repression/
CATEGORIES:Speaker Series
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ORGANIZER;CN="First Amendment Museum":MAILTO:connect@firstamendmentmuseum.org
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220526T190000
DTEND;TZID=America/Halifax:20220526T203000
DTSTAMP:20261108T121332
CREATED:20220315T170647Z
LAST-MODIFIED:20220315T170753Z
UID:6143-1653591600-1653597000@firstamendmentmuseum.org
SUMMARY:Art as Activism: Indigenous Artists' Responses to Nuclear Exposure
DESCRIPTION:This presentation focuses on international Indigenous artists’ responses to the impacts of nuclear testing\, accidents\, and uranium mining on their communities and the environment. Manuela Well-Off-Man\, chief curator at the IAIA Museum of Contemporary Native Arts in Santa Fe\, New Mexico\, will present. \n\n\n\nIndigenous artists from Australia\, Canada\, Greenland\, Japan\, French Polynesia (Tahiti)\, and the United States with American Samoa and Guam combine tribal knowledge with Indigenous and contemporary art as a visual strategy to address the long-term effects of nuclear exposure. \n\n\n\nThere are over five hundred abandoned uranium mines and mills on Navajo Nation and Pueblo lands in New Mexico alone\, and most of them are unmarked. Native American miners worked in the uranium mines without any protective equipment and have been living in houses constructed from contaminated material\, exposed to toxic winds and polluted water. Many of them have died because of uranium-related illness. Exposure to uranium and nuclear poisoning is a serious issue for Indigenous communities worldwide.  \n\n\n\nThe talk takes a closer look at the creative responses of these international Indigenous artists to this deadly legacy. \n\n\n\n\n\n\n\nRegister for the Zoom Event \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Manuela Well-Off-Man\n\n\n\nManuela Well-Off-Man is an art historian and chief curator at the IAIA Museum of Contemporary Native Arts in Santa Fe\, New Mexico.  \n\n\n\nShe previously served as curator at Crystal Bridges Museum of American Art and at the Montana Museum of Art and Culture. With more than 20 years of curatorial experience in museums and galleries\, she has curated national and international contemporary Native American art exhibitions.  \n\n\n\nWell-Off-Man received her Ph.D. in art history from the Ruhr University\, Bochum\, Germany\, and her M.A. degree in art history\, archaeology and pedagogy from the University of Cologne\, Germany. She has authored numerous exhibition catalogue essays\, magazine articles and blogs on American art.
URL:https://firstamendmentmuseum.org/event/art-as-activism-indigenous-artists-responses-to-nuclear-exposure/
CATEGORIES:Speaker Series
ATTACH;FMTTYPE=image/jpeg:https://firstamendmentmuseum.org/wp-content/uploads/2022/03/Well-Off-Man_Manuela.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220512T190000
DTEND;TZID=America/Halifax:20220512T203000
DTSTAMP:20261108T121332
CREATED:20220315T154544Z
LAST-MODIFIED:20220315T154631Z
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SUMMARY:Brewing a Boycott Book Talk with Dr. Allyson Brantley
DESCRIPTION:Allyson P. Brantley will discuss her book\, Brewing a Boycott: How a Grassroots Coalition Fought Coors and Remade American Consumer Activism (published with the University of North Carolina Press in 2021).  \n\n\n\nBrewing a Boycott tells the story of one of the longest-running consumer boycotts in U.S. history\, the boycott of Coors beer. From the 1950s to the 1990s\, union members\, progressive students\, Black and Latinx activists\, Native Americans\, feminists\, and members of the LGBTQ+ community built powerful coalitions to challenge the alleged anti-unionism\, discrimination\, and conservative politics of Coors Brewing Company and the Coors family.  \n\n\n\nBrantley will discuss this exciting history and explore the significance of the consumer boycott as a solidarity-building tool and an expression of First Amendment rights of speech\, assembly\, and petition. \n\n\n\n\n\n\n\nRegister for the Zoom Event \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Allyson P. Brantley\n\n\n\nAllyson P. Brantley (she/her) is an Assistant Professor of History at the University of La Verne in Los Angeles County.  \n\n\n\nShe studies\, teaches\, and writes about social movements\, labor\, and Latinx history in the late 20th century United States. S \n\n\n\nhe received her Ph.D. in History from Yale University in 2016 and she is a 2020-2021 Mellon Emerging Faculty Leader.  
URL:https://firstamendmentmuseum.org/event/brewing-a-boycott-book-talk-with-dr-allyson-brantley/
CATEGORIES:Speaker Series
ATTACH;FMTTYPE=image/jpeg:https://firstamendmentmuseum.org/wp-content/uploads/2022/03/Allyson_Brantley-2-scaled.jpg
ORGANIZER;CN="First Amendment Museum":MAILTO:connect@firstamendmentmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220428T190000
DTEND;TZID=America/Halifax:20220428T203000
DTSTAMP:20261108T121332
CREATED:20220223T183952Z
LAST-MODIFIED:20220413T122031Z
UID:6070-1651172400-1651177800@firstamendmentmuseum.org
SUMMARY:Hong Kong: Freedom Under Attack
DESCRIPTION:Currently on display at the First Amendment Museum is a copy of the last edition of the famous Hong Kong newspaper\, Apple Daily.  \n\n\n\nFounded by Hong Kong freedom of speech and freedom of the press advocate Jimmy Lai in 1995\, Apply Daily was shuttered by the Chinese Communist Party in 2021. Its demise symbolized the death of the free press in Hong Kong and is just one of many assaults on the universal freedoms of Hong Kong citizens by the Chinese Communist Party.  \n\n\n\nJoin the First Amendment Museum as it hosts Hong Kong experts Chi-Sang Poon\, Michael C. Davis\, and Mark Simon for a panel discussion on the situation in Hong Kong and why it matters to free people around the world. \n\n\n\n \n\n\n\n\n\n\n\nRegister for the Zoom event \n\n\n\n\n\n\n\n\nAbout panelist Mark Simon \n\n\n\n\n\n\n\nMark Simon\, a Virginia native\, has been involved in media since his days as Media Board Chairman in University. After a brief stint as an intelligence analyst with the US Navy\, Mark came to Hong Kong in 1992 and started a career in shipping\, and also began to write once again. Over the years Mark has written for the Wall Street Journal\, Washington Post\, New York Post\, and was often a guest on radio and television from Hong Kong. \n\n\n\nMark joined Jimmy Lai in May 2001 at Apple Daily. He has held positions with the Next Digital Group\, Apple Daily’s parent\, from General Manager\, and Chief of Crime News\, to Group Director. \n\n\n\nMark sees himself primarily as a businessman as over the years he has also taken on roles in private equity and real estate. Yet\, even up until when he had to leave Hong Kong in the spring of 2020\, Mark was still writing his column\, “Second Opinion”\, a column that by Comscore was Hong Kong’s most-read English language column inside Hong Kong’s largest news media platform\, Apple Daily. \n\n\n\n\n\n\n\n\n\nAbout panelist Michael C. Davis \n\n\n\n\n\n\n\nProfessor Michael C. Davis is a Global Fellow at the Woodrow Wilson International Center for Scholars in Washington DC\, a Senior Research Scholar at the Weatherhead East Asia Institute at Columbia University\, and a Professor of Law and International Affairs at O.P. Jindal Global University in India.  \n\n\n\nLong a public intellectual in Hong Kong\, he was a professor in the Law Faculty at the University of Hong Kong until late 2016. His scholarship engages a range of issues relating to human rights\, the rule of law\, and constitutionalism in emerging states\, with frequent publication in such public affairs journals as Foreign Affairs and the Journal of Democracy\, as well as academic journals. Amnesty International and the Hong Kong FCC awarded him a 2014 Human Rights Press Award for his commentary in the South China Morning Post on the 2014 Hong Kong “umbrella movement.”  \n\n\n\nHis latest book on Making Hong Kong China: The Rollback of Human Rights and the Rule of Law (November 2020) is available on Amazon and from Columbia University Press. \n\n\n\n\n\n\n\n\n\nAbout panelist Chi-Sang Poon \n\n\n\n\n\n\n\nChi-Sang Poon (潘志生) is a retired scientist from MIT where he served as a health sciences and technology visiting associate professor and then principal research scientist for thirty years.  \n\n\n\nA native of Hong Kong\, he obtained his undergraduate degree from the University of Hong Kong\, a master’s degree from the Chinese University of Hong Kong\, and a Ph.D. degree from UCLA. While at MIT\, he was vocal on racial discrimination and civil rights issues and was the creator of a musical CD in memory of 9/11.  \n\n\n\nHe is the author of a series of articles on defending freedom of the press and of speech under Hong Kong’s looming sedition law\, which has been recently decreed as part of Hong Kong’s National Security Law.
URL:https://firstamendmentmuseum.org/event/hong-kong-freedom-under-attack/
CATEGORIES:Speaker Series
ATTACH;FMTTYPE=image/png:https://firstamendmentmuseum.org/wp-content/uploads/2022/02/updated-ig.png
ORGANIZER;CN="First Amendment Museum":MAILTO:connect@firstamendmentmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220414T190000
DTEND;TZID=America/Halifax:20220414T203000
DTSTAMP:20261108T121332
CREATED:20220217T183511Z
LAST-MODIFIED:20220302T172000Z
UID:6054-1649962800-1649968200@firstamendmentmuseum.org
SUMMARY:Brown Belongings: A Dialogue about the Politics of Color and Class
DESCRIPTION:Join artist Linda Vallejo as she describes her new exhibit “Brown Belongings”\, which represents ten years of concentrated work on visualizing what it means to be a person of color in the United States. These works reflect what she calls her “brown intellectual property”—the experiences\, knowledge\, and feelings she has gathered over more than four decades of study in Chicano/a and American indigenous communities.  \n\n\n\nSince 2010 Vallejo has produced hundreds of sculptures\, paintings\, and works on paper entitled “Make ‘Em All Mexican.” She purchases pricey antiques (plaster and porcelain figures\, magazines\, and postcards) and paint their skin brown. There is a “brown” Elvis Presley\, Fred Flintstone & Barney Rubble\, Marie Antoinette & Louis Auguste\, the Rose Parade Queen\, Queen Mother\, Greek and Roman gods. In 2015 she produced “The Brown Dot Project\,” a series of “data pictographs\,” images on gridded architectural vellum where brown dots represented actual data. The works portrayed various data sets including US Latino populations; professional numbers in health\, education\, and business sectors; and Latino contribution to the US Gross National Product.  \n\n\n\n“Brown Belongings” will lead participants down an ironic path to find yourself confronted by some of the most difficult questions of our time\, “Do race\, color\, and class define our status in the world?” “Is it possible to be a part of and earnestly contribute to multiple cultures simultaneously?”  “Does color and class define our understanding and appreciation of culture?” \n\n\n\nLearn more about Linda’s work at www.lindavallejo.com \n\n\n\n\n\n\n\nRegister for the Zoom Event \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Linda Vallejo\n\n\n\nVallejo creates work that visualizes what it means to be a person of color in the United States. She states that these works reflect what she calls her “brown intellectual property”—the experiences\,  knowledge\, and feelings gathered over more than four decades of study of Latino\, Chicano\, and American indigenous culture and communities.   \n\n\n\nSolo exhibitions include LA Plaza de Cultura y Artes (2019-2020); Kean University\, Karl & Helen  Burger Gallery\, Union\, New Jersey and Museum of Latin American Art\, Long Beach\, CA (2018); bG  Gallery\, Santa Monica (2017); Texas A&M University Reynolds Gallery (2016); Bert Green Fine Art\,  Chicago Ill\, UCLA Chicano Studies Research Center\, Los Angeles CA (2015); Lancaster Museum of  Art and History in Lancaster CA (2017 & 2014) and the Soto Clemente Velez Cultural Center in New  York (2014)\, George Lawson Gallery in Los Angeles and the University Art Gallery of New Mexico  State University (2013)\, as well as Arte Americas in collaboration with the Fresno Art Museum and  Central California Museum of Art Advisory Committee and California State University\, San  Bernardino\, Fullerton Museum (2012).   \n\n\n\nHer most recent solo exhibition Brown Belongings was featured in the NY Times “Visualizing Latino  Populations Through Art” by Jill Cowan\, New York\, NY (November 26\, 2019) and in LA Times “Linda  Vallejo and a decade of art that unapologetically embraces brownness” by Matt Stromberg (June 20\,  2019).  \n\n\n\nVallejo’s work is in the permanent collections of the Museum of Latin American Art (MOLAA)\, Long  Beach\, CA\, the Museum of Sonoma County\, Santa Rosa\, CA\, Museo del Barrio\, New York\, NY\, East  Los Angeles College Vincent Price Museum\, Los Angeles CA\, National Museum of Mexican Art\,  Chicago Ill\, Carnegie Art Museum\, Natural History Museum of Los Angeles County\, CA\, UC Santa  Barbara\, California Ethnic and Multicultural Archives (CEMA)\, Santa Barbara\, CA\, UCLA Chicano  Study Research Center (CSRC)\, Los Angeles\, CA\, California Digital Library\, Arizona State University  Library Archives.
URL:https://firstamendmentmuseum.org/event/brown-belongings-a-dialogue-about-the-politics-of-color-and-class/
CATEGORIES:Speaker Series
ATTACH;FMTTYPE=image/jpeg:https://firstamendmentmuseum.org/wp-content/uploads/2022/02/Linda-Vallejo2716-copy-scaled.jpg
ORGANIZER;CN="First Amendment Museum":MAILTO:connect@firstamendmentmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220316T190000
DTEND;TZID=America/Halifax:20220316T203000
DTSTAMP:20261108T121332
CREATED:20220112T205150Z
LAST-MODIFIED:20220303T173800Z
UID:5766-1647457200-1647462600@firstamendmentmuseum.org
SUMMARY:TRUTH TELLERS: Artist Robert Shetterly's Journey to Uphold Our Founding Ideals
DESCRIPTION:A special virtual screening and conversation with Artist and Activist Robert Shetterly about the new documentary\, TRUTH TELLERS\, a film that delves into the lives of courageous Americans fighting for social\, environmental and economic justice. Shetterly has painted 255 portraits of Americans\, past and present\, who had the moral courage to confront the pressing issues of their time. Shetterly’s art and activism is a history lesson in what it means to be a citizen of our democracy. \n\n\n\n\n\n\n\nWatch the TRUTH TELLERS Trailer\n\n\n\n\n\n\n\nRegister for the virtual screening and conversation \n\n\n\n\n\n\n\n\nAbout the Artist: American Contemporary Artist and Activist Robert Shetterly has painted 255 portraits of Americans\, past and present\, who had the moral courage to confront issues of social\, environmental and economic justice. The project began in response to the government’s actions following the 9/11 attacks on the World Trade Center in New York. To deal with his grief and anger\, the artist began painting people who inspired him. The series\, Americans Who Tell the Truth\, has been exhibited throughout the United States for almost two decades. TRUTH TELLERS is both a story of Shetterly’s art and activism and a history lesson in what it means to be a citizen of a democracy. The film features Bayard Rustin\, Bill McKibben\, Kelsey Juliana\, Rev. Lennox Yearwood\, Sherri Mitchell\, Maulian Dana\, Bill Bigelow\, Zyahna Bryant\, Bree Newsome Bass\, Fannie Lou Hammer\, John Lewis\, Rev. Martin Luther King Jr.\, Reggie Harris\, among others. \n\n\n\n\n“[Shetterly] is an invaluable chronicler of 21st century America.”   – Bill Moyers\n\n\n\n\n\n\n\n\nAbout the Director\, Producer and Cinematographer:Richard Kane\, is an independent director whose work is focused on the intersection of art and contemporary American life.Previous film releases include\, J. Fred Woell: An American Vision\, I Know a Man… Ashley Bryan\, Imber’s Left Hand\, and 15 others\, all part of the Maine Masters collection\, a New England Emmy-nominated series of portraits that airs on public television. With partner Melody Lewis-Kane\, their company\, Kane-Lewis Productions\, has worked for National Geographic\, The Discovery Channel\, the Kennedy Center for the Performing Arts and the White House Office of Technology Policy among many others. Kane-Lewis produced the Natural Resources Council ofMaine’s 50th anniversary film Protecting the Nature of Maine\, an indie doc ROCK SOLID: The Schoodic International Sculpture Symposium and the classic award-winning documentary M.C. Richards: The Fire Within. From 2007-2016 Richard served as chair of the Maine Film & Video Association. \n\n\n\n\n\n\n\n\n\nAbout the Writer:Judith Dwan Hallet is an award-winning documentary filmmaker\, former Senior Producer/Writer at National Geographic\, who has been making films for 50 years\, and received many distinguished awards including Woman of Vision Creative Excellence Award from Women in Film and Video in Washington DC and an Emmy from The National Capital Chesapeake Bay Chapter of the National Academy of Television Arts and Sciences in recognition for her significant contributions to the broadcast industry. Additional cinematography was provided by veteran Bob Elsfrom\, who has shot and directed documentaries for half a century and won multiple Emmys and Academy Award nominations. His resume includes the likes of PBS\, Frontline and National Geographic and a feature film with Brian De Palma and Robert De Niro.
URL:https://firstamendmentmuseum.org/event/truth-tellers-artist-robert-shetterlys-journey-to-uphold-our-founding-ideals/
LOCATION:Virtual Event
CATEGORIES:Speaker Series
ATTACH;FMTTYPE=image/png:https://firstamendmentmuseum.org/wp-content/uploads/2022/01/Rob_Shetterly_at_studio.png
ORGANIZER;CN="First Amendment Museum":MAILTO:connect@firstamendmentmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220302T123000
DTEND;TZID=America/Halifax:20220302T140000
DTSTAMP:20261108T121332
CREATED:20220113T185144Z
LAST-MODIFIED:20220209T174759Z
UID:5785-1646224200-1646229600@firstamendmentmuseum.org
SUMMARY:FREE SPEECH: A History from Socrates to Social Media
DESCRIPTION:Free speech around the world today is in retreat.  \n\n\n\nAuthoritarian and nationalist figures from Narendra Modi in India to Viktor Orbán in Hungary are silencing dissenting voices in an effort to entrench power.  \n\n\n\nEven in democracies\, where it is hailed as the “first freedom” and a bedrock democratic value\, the free speech debate is weaponized by the political left and right\, as different groups aim to curtail it on college campuses\, in classrooms\, and on digital platforms — undermining the very culture of tolerance and open-mindedness on which this freedom ultimately depends.  \n\n\n\nJoin author Jacob Mchangama for a conversation on the global history of free speech\, from the ancient world to today. \n\n\n\n\n\n\n\nRegister for the Zoom event \n\n\n\nABOUT THE BOOK:In FREE SPEECH: A History from Socrates to Social Media (Basic Books; On sale February 8\, 2022)\, Jacob Mchangama offers a definitive account of this transformative idea\, from the ancient world to the digital age\, and in the process establishes why defending free speech is so critical today. History shows that the free exchange of ideas is essential not only to the spread of knowledge and innovation\, but also to upholding the values so cherished by democratic nations.  \n\n\n\nMoreover\, despite contemporary debates\, the practice and principle of free speech has been instrumental in ensuring the equality and dignity of marginalized and voiceless groups\, while censorship and repression has been the weapon of choice of oppressors\, authoritarians and supremacists. \n\n\n\n“The best history of free speech ever written and the best defense of free speech ever made. Jacob Mchangama never loses sight of the trouble freedom causes but always keeps in mind that lack of freedom creates horrors.”  — P.J. O’Rourke\n\n\n\nIn this sweeping history\, Mchangama includes a global cast of free speech defenders\, including the great liberalphilosopher John Stuart Mill\, the trailblazing Dutch philosopher Baruch Spinoza\, the ancient Athenian orator Demosthenes\, the ninth-century freethinker al-Rāzī\, the anti-lynching crusader Ida B. Wells and the campaigner for Indian independence Mahatma Gandhi.  \n\n\n\nThrough their captivating stories and others\, he reveals how the free exchange of ideas underlies all intellectual achievement and has enabled the advancement of both freedom and equality worldwide. \n\n\n\nMchangama has spent a decade advocating for free speech in the press and as a member of the Danish government’s independent commission on free speech. In FREE SPEECH\, he establishes just how much humanity has gained from the spread of this powerful idea\, and just how much we stand to lose if we allow for its erosion in the digital age. \n\n\n\nABOUT THE AUTHOR:Jacob Mchangama is the founder and executive director of the Danish think tank Justitia and the host of the podcast Clear and Present Danger: A History of Free Speech. His writing on free speech has appeared in the Economist\, the Washington Post\, Foreign Policy\, and many other outlets around the world. He lives in Copenhagen\, Denmark.
URL:https://firstamendmentmuseum.org/event/free-speech-a-history-from-socrates-to-social-media/
LOCATION:Virtual Event
CATEGORIES:Speaker Series
ATTACH;FMTTYPE=image/png:https://firstamendmentmuseum.org/wp-content/uploads/2022/01/JacobMchangama.png
ORGANIZER;CN="First Amendment Museum":MAILTO:connect@firstamendmentmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220228T190000
DTEND;TZID=America/Halifax:20220228T203000
DTSTAMP:20261108T121332
CREATED:20220201T191506Z
LAST-MODIFIED:20220209T141508Z
UID:5939-1646074800-1646080200@firstamendmentmuseum.org
SUMMARY:Mary McLeod Bethune and the Necessity of Black Women's Leadership
DESCRIPTION:First Amendment Speaker Series presents Dr. Ashley Robertson Preston\, author\, curator\, and Assistant Professor of History at Howard University. She is the author of Mary McLeod Bethune in Florida: Bringing Social Justice to the Sunshine State. \n\n\n\nMary McLeod Bethune was often called the “First Lady of Negro America\,” but she made significant contributions to the political climate of Florida as well. From the founding of the Daytona Literary and Industrial School for Training Negro Girls in 1904\, Bethune galvanized African American women for change. She created an environment in Daytona Beach that\, despite racial tension throughout the state\, allowed Jackie Robinson to begin his journey to integrating Major League Baseball less than two miles away from her school. Today\, her legacy lives through a number of institutions\, including Bethune-Cookman University and the Mary McLeod Bethune Foundation National Historic Landmark. Historian Ashley Robertson Preston explores the life\, leadership\, and amazing contributions of this dynamic activist. \n\n\n\n\n\n\n\nRegister for the Zoom Event \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Dr. Ashley Robertson Preston\n\n\n\nDr. Ashley Robertson Preston is an author\, curator\, and Assistant Professor of History at Howard University.  \n\n\n\nHer past positions include serving as director of the Mary McLeod Bethune Foundation-National Historic Landmark at Bethune-Cookman University while she also was an archives technician for the National Archives for Black Women’s History at the Mary McLeod Bethune Council House-National Historic Site.  \n\n\n\nShe is the author of Mary McLeod Bethune in Florida: Bringing Social Justice to the Sunshine State which examines how the educator rose to prominence while fighting for equality at the height of racial unrest in the state.  \n\n\n\nDr. Preston’s research interests focus on the activism of Black women during the early twentieth century and the ways in which they uplifted their communities\, created institutions\, and stood against systemic racism. 
URL:https://firstamendmentmuseum.org/event/mary-mcleod-bethune-and-the-necessity-of-black-womens-leadership/
LOCATION:First Amendment Museum
CATEGORIES:Speaker Series
ATTACH;FMTTYPE=image/jpeg:https://firstamendmentmuseum.org/wp-content/uploads/2022/02/Dr.-Ashley-Robertson-Preston-headshot-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220208T190000
DTEND;TZID=America/Halifax:20220208T203000
DTSTAMP:20261108T121332
CREATED:20220118T193412Z
LAST-MODIFIED:20220208T202052Z
UID:5848-1644346800-1644352200@firstamendmentmuseum.org
SUMMARY:Letters to Martin: Meditations on Democracy in Black America
DESCRIPTION:The First Amendment Speaker Series presents Randal Maurice Jelks\, professor\, a documentary producer\, and award-winning author. His latest book Letters to Martin: Meditations on Democracy in Black America (Chicago Review Press\, Jan 11\, 2022) evokes Martin Luther King Jr.’s Letter from Birmingham Jail and contains twelve meditations on many of the public issues currently faced by citizens in the United States—economic inequality\, freedom of assembly\, police brutality\, ongoing social class conflicts\, and geopolitics.  \n\n\n\n\n\n\n\nRegister for the Zoom Event \n\n\n\nProfessor Jelks was an executive producer of the documentary I\, Too\, Sing America: Langston Hughes Unfurled and he currently teaches American Studies\, African Studies\, and African American Studies at the University of Kansas. His writings have appeared in the Boston Review and the Los Angeles Review of Books\, and he also serves as co-editor of the academic journal American Studies.
URL:https://firstamendmentmuseum.org/event/letters-to-martin-meditations-on-democracy-in-black-america/
LOCATION:Virtual Event
CATEGORIES:Speaker Series
ATTACH;FMTTYPE=image/png:https://firstamendmentmuseum.org/wp-content/uploads/2022/01/LETTERSTOMARTIN_1.png
ORGANIZER;CN="First Amendment Museum":MAILTO:connect@firstamendmentmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220127T190000
DTEND;TZID=America/Halifax:20220127T203000
DTSTAMP:20261108T121332
CREATED:20220111T184758Z
LAST-MODIFIED:20220119T194638Z
UID:5745-1643310000-1643315400@firstamendmentmuseum.org
SUMMARY:Natasha Mayers: an Un-Still Life
DESCRIPTION:Now\, more than ever\, people want to see truthful\, creative role models like Natasha Mayers\, who has been called the “most committed activist artist” in Maine and who Senator George Mitchell called a “state treasure.” Presenting an artist who has remained true to her passion for over 50 years\, the film follows Natasha as she takes on social\, economic and environmental justice issues with humor\, irreverence and a keen aesthetic that enlightens while it entertains. Using a non-traditional approach\, the film’s animation and special effects reflect Mayers’ own art-style.  From her arrest at a demonstration to featured conversations with Artists Kathy Bradford\, Robert Shetterly and Art Critic Lucy Lippard\, the film follows her quest to engage with the questions that face people-of-conscience today. \n\n\n\nRegister for the virtual film screening and conversation \n\n\n\n\n\n\n\n\nAbout Artist Natasha MayersNatasha Mayers has been called “the heart and soul of activist art in Maine.” She is widely known for her work supervising more than 600 school and community murals from Maine to Nicaragua. She supervised painting utility poles in her town which depict local history and were featured in Lucy Lippard’s book\, The Lure of the Local. For the past 35 years she has been creating parade “floats” for the local Whitefield 4th of July parade. For Natasha\, the painted poles and parade floats represent art by the community\, about the community\, and for the community\, empowering a community to portray and know itself. More about the artist > \n\n\n\n\n\n\n\n\n\nAbout Filmmaker Geoffrey LeightonGeoffrey Leighton has over 35 year’s experience in video and multi-media production. In addition to his award-winning documentaries\, commercials\, and long form programming\, Leighton has produced a variety of large-scale multimedia educational projects.  He has also worked to develop teacher development material with Apple\, the Lucas Foundation\, Center for Collaborative Education\, Classroom Connections\, the City of Boston\, Bates College\, and the Maine Learning Technology Initiative\, as well as the Tech Goes Home Project in Boston and the Diploma Plus Network of schools. Leighton is an adjunct professor at the University of Southern Maine\, teaching Special Effects and Animation. \n\n\n\n\n\n\n\n\n\nAbout Filmmaker Anita ClearfieldAnita Clearfield\, Producer/Director/Artist\, has created many award-winning independent films\, documentaries and educational programs\, including “Olivia Records: More Than Music\,” “Vacation Nicaragua\,” and “There Ought to Be a Law”. She was a staff producer/director for Maine Public Broadcasting\, creating a variety of documentaries and science series. She has worked with Natasha Mayers on the Artists’ Rapid Response Team (ARRT!) and is a founder of LumenARRT!\, video projections for social change. She holds an M.F.A. from Massachusetts College of Art and Design and is a practicing painter and video installation artist.
URL:https://firstamendmentmuseum.org/event/natasha-mayers-an-un-still-life/
LOCATION:Virtual Event
CATEGORIES:Speaker Series
ATTACH;FMTTYPE=image/png:https://firstamendmentmuseum.org/wp-content/uploads/2022/01/211019_NM-Email-Header-with-Laurels.png
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